Shot List
This is our shot list which we plan to incorporate into our trailer. The variety of different shots and canted angles will hook our target audience into the narrative and make the trailer exciting and mysterious enhancing the fear factor element.
Shot Number
|
Angle
|
Movement
|
Notes
|
||
1
|
High angle
|
Tracking shot
|
To show the road leading to their new
house
|
||
2
|
Establishing long shot
|
Pan
|
The car is slowly pulling up to their new
house
|
||
3
|
Close up
|
Steady
|
The daughter is seen inside the car which
also shows the reflection of the new house
|
||
4
|
Long shot
|
Steady
|
The father and daughter are unpacking
their things from the back of the car.
|
||
5
|
Close up
|
Steady
|
The shot will be taken of the top of the
swings to imply the daughter is having fun
|
||
6
|
Over the shoulder shot
|
Steady
|
The daughter walks in the room, sits on
the bed and picks up the photo of her and her mother. A voice over of the
daughter.
|
||
7
|
Mid shot
|
Zooming in slowly
|
The zooming in is implying someone is
coming towards the father. In the kitchen scene
|
||
8
|
Eye-line shot
|
Steady
|
Shot of an empty doorway/hallway
|
||
9
|
Over the shoulder shot
|
Steady
|
The focus will still be on the father’s
face but the daughter will be in the background in the corner
|
||
10
|
2 shot
|
Steady
|
The dad comes into the daughter’s room
and sits on the bed. He says that he has someone important coming round but
the daughter is busy playing.
|
||
11
|
Over the shoulder
|
Steady
|
The father opens the door to reveal his
new love interest with a voice over of ‘it’s not safe for her to be here’
|
||
12
|
Mid shot
|
Steady
|
At the dinner table, the father is in the
centre of the shot and the daughter and love interest on either side. The
candle-light and everything else blacks out.
|
||
13
|
Close up
|
Steady
|
The father is in bed sleeping then wakes
up to noises and calls out for his daughter
|
||
14
|
Over the shoulder
|
Tracking
|
The father is walking down the corridor
slowly to open the door at the end of the corridor. There is a creepy singing
and laughing.
|
||
Over the shoulder
|
Zoom
|
The father walks into the daughter’s room
with her sitting on the bed facing the window or wall, not the dad. He asks
her what she’s doing. It starts zooming in on the back of the daughter’s head
|
|||
Over the shoulder/Close up
|
Steady
|
The daughter slowly turns around and
whispers ‘Tackle the devil’
|
|||
High angle
|
Steady
|
The daughter is running down the stairs
trying to escape the house
|
|||
Close up
|
The camera quickly turns to the love
interest
|
The dinner scene again, the camera turns
to the love interest who is bleeding from the face
|
|||
Close up
|
Steady
|
Father’s face looking down at a knife
|
|||
Close up
|
Steady
|
The steamy mirror in the bathroom with
words written on it. Also shows the father’s face and he wipes it off
|
|||
Over the shoulder
|
Steady
|
Over the father’s shoulder as him and his
daughter are arguing and the daughter claims it isn’t her.
|
|||
Eye-line shot
|
Steady
|
Looking at the blood dripping down on the
floor/counter
|
|||
High angle - Mid shot
|
Steady
|
The daughter sitting under some sort of
blanket/curtain
|
|||
Close up
|
Whip pan
|
The camera pans around the daughters head
very quickly with her hair in her face.
|
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